The Brooklyn Bards’ Donal Nolan, dead at 58

He was many things—the family archivist, a regular at Kitty Kiernans, a native son of Bay Ridge, devoted caregiver for his mother, and an often corny joke teller. But more than anything did he know how to belt out “Danny Boy” with the best of them.

Donal Nolan, a local musician who co-founded the tri-state touring and traditional Irish acoustic band The Brooklyn Bards, died April 5, at age 58. Nolan is survived by his mother Mary, brother John, sisters Maureen and Carol, and nieces and nephews.

Nolan grew up in Bay Ridge and attended St. Patrick’s School and Fort Hamilton H.S.
He worked in the Financial District for many years before dedicating his tenor opera-trained vocals to beautiful Irish ballads.

The first gig The Brooklyn Bards ever played was at Kelly’s Tavern, an Irish sports bar in Bay Ridge owned by his cousin John Nolan. He was never surprised that Donal got into music, as a kid he was constantly involved in the church choir. Although he was born in America, his parents instilled a home culture that celebrated their Irish heritage. “Danny Boy” was one of Nolan’s most recognized covers; it’s no accident that it was his father’s favorite tune.

Joe Mayer joined the band in 2016, two years after it was founded, after finding a call for auditions on Craigslist. After playing a few songs, he and Nolan immediately hit it off over their passion and talent for music, and became close friends in the process.

Mayer still has trouble believing the news of the unexpected passing of someone who was so clearly full of vigor and life. The Sunday before he passed, Nolan performed one of his best renditions of “Danny Boy” at a funeral at Bay Ridge Manor.

“He just gave an amazing, amazing performance. He sang as strong and powerful as ever. And it’s so weird that he would be this good and then all of a sudden just suddenly gone,” Mayer said.

Although his cousin owns Kelly’s Tavern, Nolan was a regular at other Bay Ridge joints like Hunter’s Point steakhouse and Kitty Kiernans.

“And it literally took me an hour to get from the front door to say a word by his casket, say hello to his mom, and offer my condolences. It was just an hour just to get that. Place was packed, packed,” Steve Gannon, the owner of Hunter’s Steak & Ale House, said.

It makes sense to Gannon, though. He was always pleasant and smiling, never had a bad word to say to anybody and was just one of those neighborhood guys who seemed to know and run into everyone anywhere he went. Although he would frequent Hunter’s for dinner Gannon simply knew him from around the neighborhood.

Among his many other attributes, Nolan was something of a matchmaker. He helped set up Gannon with his now-wife Melissa.

Melissa and Nolan lived in the same building so Steve mentioned his interest. One random night after, Nolan walked up to Melissa, whispered in her ear, and said “Steve has a crush on you – but don’t tell him I said that.”

And all these years later, they’re still together.

“He was so friendly, listened and talked… someone you would naturally gravitate towards,” Melissa Gannon said.

If Donal Nolan wasn’t in either Hunter’s or Kelly’s, you’d most likely find him in Kitty Kiernan’s. The small Irish pub with space for open mics, was Nolan’s watering hole of choice, which he would visit almost every day.

Danny Sullivan, a regular at Kitty Kiernans, who knew Dolan for years, put it bluntly, “The whole neighborhood feels in mourning.”

Sullivan already misses Nolan’s bad jokes. It was a part of his act, incorporating jokes like “What do you call a successful Irish farmer? A man outstanding in his field,” while the band played along as the straight man.

“I keep expecting him to walk to the window, finish his cigarette, and walk-in” Sullivan said before getting emotional.

When asked how he would remember Nolan, Anthony McElroy, another regular at Kitty Kiernans’, said that besides being “a funny guy with bad jokes” he was one the only people he knew who would wear Ireland patterned pajamas to the bar and be spit-shined on Sundays.

“He did it well though. He did it well,” McElroy said in an interview, laughing as he reminisced.

Whenever Nolan was at the bar certain things were guaranteed to happen. You would get your fair share of bad jokes. You would get to see him sing and dance. You would hear him complain about bad singers at the open mics—McElroy said Donal never really “got” the idea of an open mic. He would give you his time and attention. He would do impressions of people in the bar. He would pick out good music for the jukebox. While he wasn’t a fan of rap in general, the fifty-year-old’s favorite song to play in the bar was “In The Morning”, a rap song about morning sex by J. Cole, a detail that bartender Maria Lopez said showed how funny of a guy he was.

“I was blessed to know him and he touched my life deeply,” Sullivan said.”The hardest working band in BK.”

Lets hope, wherever Donal Nolan is, that they have a tin whistle and a mic. It would be the proper avé to him.

Live music returns to Forest Hills Stadium

Live music returned to Forest Hills Stadium for the first time since 2019, giving thousands of concert-goers in Queens a reason to celebrate and a brief return to normal.
The historic outdoor venue officially reopened on Friday, July 23, as Brandi Carlile took the stage before 8,000 fans, kicking off the stadium’s summer concert series on a high note.
The 14,000-seat capacity venue, located at the West Side Tennis Club, will soon be hosting additional live performances, after a season of concerts were lost due to the pandemic.
As part of New York City’s “Homecoming Week,” the stadium will also host a free concert on Friday, August 20, as announced by Mayor Bill de Blasio last month.
Mario DiPreta, CEO of the West Side Tennis Club (WSTC), says the reopening of the unique venue comes at a time when fans need it most. After hosting a successful first live show back, DiPreta recalled what it was like to welcome live music fans back for the first time in over a year.
“It was amazing to make sure that we could actually do a concert again and get back to some sort of normalcy,” said DiPreta. “The energy was amazing, the crowd was singing to the music. It’s one of the most amazing venues and unique too, there’s not one like it in the world.”
Built in 1923, the outdoor concert venue sits on 13 acres owned by the private tennis club, which played host to the US Open until 1977. It’s where Arthur Ashe became the first African-American to win a Grand Slam tournament in 1968, and it’s where Billie Jean King played while she campaigned for equal prize money and opportunities for women in tennis.
The stadium also hosted legendary musical acts in the 1960’s and 1970’s, including Bob Dylan, Jimi Hendrix, and Simon and Garfunkel. In 1968, The Beatles were flown into the stadium by helicopter before performing in front of a sold-out crowd.
“It’s where legends walked the grounds, from tennis to music,” DiPretta added.
But following the US Open’s departure to Flushing Meadows in 1978, the structure began to decay and deteriorate, eventually leading to a denial of landmark status by the Landmarks Preservation Commission in 2011.
WSTC even weigned the option of having the stadium replaced with luxury condominiums, before voting the idea down. The stadium was in need of rehabilitation if it was ever going to host live concerts again.
That’s when promoter Mike Lubo made a cold call to the WSTC pro shop, seeking an alternative site for a band to play a gig. Lubo, who grew up on Long Island, was aware of the legendary performances and artists who took the stage at Forest Hills Stadium decades ago.
“In one of the great turn of events, the stadium was not landmarked, which enabled us to come in and do the stuff we did,” said Lubo, now the lead promoter for the venue. “The day after the first phone call, I came out here with a structural engineer.”
Lubo recalls the engineer describing the site as “feeling like a warzone”, and Lubo likened the place to, “a dumping ground for three decades.”
But a commitment was made by Lubo and his team to keep the “bones” of the stadium — built upon first-generation U.S. Steel and poured concrete — and to focus on leading the venue into the 21st century.
After holding their inaugural concert in 2013 with Mumford & Sons, gradual improvements were made to the site’s amenities and safety, including new seats, new aisles and a new world-class stage.
“Our happiest moment was when we finally put real bathrooms out here,” said Lubo.
Now there is a commitment to upgrade the stadium following each concert season. From just one single show in 2013, to well over a dozen just a few years later, the revival of a historic venue is well under way.
But that was all put on pause last March. Live entertainment came to a halt, along with the venue’s expected 2020 concert season. It would be another 16 months before fans flocked to Forest Hills Stadium once again.
“We were probably the first major industry to fully shut down,” said Lubo. “It’s been a long run of scheduling and rescheduling. Our first priority is that the bands, the crew and the fans are safe.”
When COVID-related restrictions were lifted for New Yorkers in June, it allowed for the venue to host live shows once again. Under current guidelines, shows do not require proof of vaccination. Tickets for shows are available at foresthillsstadium.com.
Lubo said it was an emotional return for some when the stadium hosted fans again for the first time in over a year.
“Music and communal gathering is such a big part of what it means to be human,” said Lubo. “I think people really have been missing that in their life.”

UPCOMING CONCERTS
Fri. Aug 20, “Homecoming Week” free concert series
Sat. Aug. 21, Wilco & Sleater Kinney, Nnamdi
Sat. Aug. 28, Dropkick Murphys, Rancid
Thu. Sep. 9, King Crimson, The Zappa Band
Fri. Sep. 10, My Morning Jacket, Brittany Howard
Sat. Sep. 11, My Morning Jacket, Brittany Howard
Sat. Oct. 2, The Neighbourhood

Live music returns to Forest Hills Stadium

Live music returned to Forest Hills Stadium for the first time since 2019, giving thousands of concert-goers in Queens a reason to celebrate and a brief return to normal.
The historic outdoor venue officially reopened on Friday, July 23, as Brandi Carlile took the stage before 8,000 fans, kicking off the stadium’s summer concert series on a high note.
The 14,000-seat capacity venue, located at the West Side Tennis Club, will soon be hosting additional live performances, after a season of concerts were lost due to the pandemic.
As part of New York City’s “Homecoming Week,” the stadium will also host a free concert on Friday, August 20, as announced by Mayor Bill de Blasio last month.
Mario DiPreta, CEO of the West Side Tennis Club (WSTC), says the reopening of the unique venue comes at a time when fans need it most. After hosting a successful first live show back, DiPreta recalled what it was like to welcome live music fans back for the first time in over a year.
“It was amazing to make sure that we could actually do a concert again and get back to some sort of normalcy,” said DiPreta. “The energy was amazing, the crowd was singing to the music. It’s one of the most amazing venues and unique too, there’s not one like it in the world.”
Built in 1923, the outdoor concert venue sits on 13 acres owned by the private tennis club, which played host to the US Open until 1977. It’s where Arthur Ashe became the first African-American to win a Grand Slam tournament in 1968, and it’s where Billie Jean King played while she campaigned for equal prize money and opportunities for women in tennis.
The stadium also hosted legendary musical acts in the 1960’s and 1970’s, including Bob Dylan, Jimi Hendrix, and Simon and Garfunkel. In 1968, The Beatles were flown into the stadium by helicopter before performing in front of a sold-out crowd.
“It’s where legends walked the grounds, from tennis to music,” DiPretta added.
But following the US Open’s departure to Flushing Meadows in 1978, the structure began to decay and deteriorate, eventually leading to a denial of landmark status by the Landmarks Preservation Commission in 2011.
WSTC even weigned the option of having the stadium replaced with luxury condominiums, before voting the idea down. The stadium was in need of rehabilitation if it was ever going to host live concerts again.
That’s when promoter Mike Lubo made a cold call to the WSTC pro shop, seeking an alternative site for a band to play a gig. Lubo, who grew up on Long Island, was aware of the legendary performances and artists who took the stage at Forest Hills Stadium decades ago.
“In one of the great turn of events, the stadium was not landmarked, which enabled us to come in and do the stuff we did,” said Lubo, now the lead promoter for the venue. “The day after the first phone call, I came out here with a structural engineer.”
Lubo recalls the engineer describing the site as “feeling like a warzone”, and Lubo likened the place to, “a dumping ground for three decades.”
But a commitment was made by Lubo and his team to keep the “bones” of the stadium — built upon first-generation U.S. Steel and poured concrete — and to focus on leading the venue into the 21st century.
After holding their inaugural concert in 2013 with Mumford & Sons, gradual improvements were made to the site’s amenities and safety, including new seats, new aisles and a new world-class stage.
“Our happiest moment was when we finally put real bathrooms out here,” said Lubo.
Now there is a commitment to upgrade the stadium following each concert season. From just one single show in 2013, to well over a dozen just a few years later, the revival of a historic venue is well under way.
But that was all put on pause last March. Live entertainment came to a halt, along with the venue’s expected 2020 concert season. It would be another 16 months before fans flocked to Forest Hills Stadium once again.
“We were probably the first major industry to fully shut down,” said Lubo. “It’s been a long run of scheduling and rescheduling. Our first priority is that the bands, the crew and the fans are safe.”
When COVID-related restrictions were lifted for New Yorkers in June, it allowed for the venue to host live shows once again. Under current guidelines, shows do not require proof of vaccination. Tickets for shows are available at foresthillsstadium.com.
Lubo said it was an emotional return for some when the stadium hosted fans again for the first time in over a year.
“Music and communal gathering is such a big part of what it means to be human,” said Lubo. “I think people really have been missing that in their life.”

UPCOMING CONCERTS
Fri. Aug 20, “Homecoming Week” free concert series
Sat. Aug. 21, Wilco & Sleater Kinney, Nnamdi
Sat. Aug. 28, Dropkick Murphys, Rancid
Thu. Sep. 9, King Crimson, The Zappa Band
Fri. Sep. 10, My Morning Jacket, Brittany Howard
Sat. Sep. 11, My Morning Jacket, Brittany Howard
Sat. Oct. 2, The Neighbourhood

Arts & culture alive and well in Woodhaven

If you’re a fan of arts, culture and music, there’s a lot to look forward to in Woodhaven during the month of June.
On Monday, June 21, starting at 3 p.m., the Woodhaven Business Improvement District (WBID) is partnering with Make Music New York to bring the streets of Woodhaven live with the sound of music.
Held annually on the summer solstice, the longest day of the year, Make Music New York sponsors pop-up concerts all over New York City. This year, you will be able to see live music at Forest Parkway and Jamaica Avenue.
“We are very excited to participate in Make Music New York 2021,” says Raquel Olivares, executive director of the WBID. “After a very challenging year, we feel this event will help us bring some normalcy and much-needed entertainment to Jamaica Avenue.”
There will be a few different musical acts, and the local artists the Woodhaven Cultural & Historical Society has been spotlighting here in the pages of the Leader-Observer and through online events will be there.
We’re hoping some more local talent from Woodhaven will introduce themselves to us and join our growing roster of artists.
Deborah Camp, who is well known around Woodhaven for her window paintings on businesses, will be there, as will Jennifer Lambert Technoquilter showing off some of her collages and designs.
And you can ask Louise Naples all about the interesting process of making and designing quilts.
Other participating artists include Woodhaven poet Christine Barbour, musician Matt “The Reverend Matty F” Faccenda, and Woodhaven artist Mahfuza Shammy Rahman (MSR).
Some big news is that MSR will be holding an art show in Woodhaven at Geordie’s Joint on the corner of 80th Street and Jamaica Avenue (79-19 Jamaica Avenue). The launch of this exhibit will be on Saturday, June 26, at 3 p.m.
There will be a brief ceremony at 4 p.m., and if you attend you will be able to enjoy an “MSR,” a new drink created in honor of the artist and the exhibit. I don’t recall what was in it, but I plan to have three of four of them!
And if you miss the opening, MSR’s work will be on display at Geordie’s Joint through July 3.
When we profiled MSR in this paper in March, we noted her interest in holding a show at Geordie’s.
“I love Geordie’s and think it would be a great venue for a show,” MSR said.
Together, we met with Geordie and Trish, owners of Geordie’s Joint, and planned out the show. Geordie and Trish could not have been more excited or accommodating to us, and it’s going to be really interesting to see Geordie’s interior transformed into an art gallery.
And we hope other business owners around Woodhaven will stop by and see if what we accomplish there can be duplicated in other establishments. We are building a roster of artists and we would love to show off their work.
The Woodhaven Cultural & Historical Society has been well known for its promotion of our community’s past. The emphasis on arts and culture is also part of our mission and an embrace of the future.
As life begins a return to normalcy, it will be nice to look for opportunities like this to gather and enjoy each other’s company again.

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