By Nicholas Gordon

Brooklyn’s multiculturalism and visionary styles were on vivid display at the second annual “A Very Brooklyn Fashion Show” at Industry City in Sunset Park on October 15. It was a kaleidoscopic night of bright fabrics and bold patterns, cool silk and tough denim, graffiti, beads, jewelry, ruffles, and fringe worn by an eclectic medley of fashion models strutting their stuff to a musical playlist as diverse as the borough itself. Hosted by the Brooklyn Made Store during Brooklyn Fashion Week, the show featured the work of over ten local designers with heritage from countries across the globe, including Haiti, India, Nigeria, and Ukraine.

“I love seeing all of these different kinds of models and designers in a fashion show,” said  Catherine Schuller, founder of Runway the Real Way, and a curator of the show along with Rick Davy, creator of Fashion Week Brooklyn. “We’re thrilled to be part of an event that honors the spirit and diversity of our community,” Schuller added, in an interview after the show.

As a pioneering plus-size model in the 80’s, Schuller said she was “bit by the diversity bug” and has thrived on creating inclusive catwalks ever since. As a designer herself, Schuller marries comic books with fashion, creating upcycled jewelry and accessories that she describes as “power pieces of heroic adornment,” several of which were featured in the show. 

Designer Adeleke Sijuwade delivered a bracing streetwear collection set to the throwback track “Jump” by 90’s hip-hop duo Kriss Kross, mixing elements of hip-hop, basketball, westerns, cartoons, and Sijuwade’s Nigerian roots. 

“A lot of the things I create for the runway are things I love, and I draw inspiration from things I’m fascinated with,” Sijuwade said, in a phone interview. “It’s natural for me to be attracted to bright colors and patterns with a lot of details, because these are things African people wear everyday.”

Born in Nigeria, Sijuwade moved to the U.S. at age 6. He visits Nigeria a couple of times each year, he said.

While he enjoys being bold and playful with his creative choices, such as by adding Victorian ruffles, wide collar flares, suspenders, sports jerseys, or overalls to his signature baggy looks, Sijuwade said he is always focused on making clothes that are comfortable and accessible for a broad spectrum of humanity.

“It’s about bringing together different design elements in casual structures, clothing that’s wearable for everyone, no matter what shape you’re in,” Sijuwade said.

Several of Sijuwade’s garments featured powerful images of hiphop icons such as Biggie Smalls hand-painted by African artists that he’d collaborated with on trips back to his motherland of Nigeria.

Sijuwade said his goal is to take his painter-designer collaboration to the next level by exhibiting new pieces at a local museum.

Paying homage to heritage through collaboration is a potent approach for designer Renuka Malhi too, whose work was featured in the show under her brand name of “Re’Malhi.”

“Collaborating with other artists really elevates you,” Malhi said, in an interview after the show. “We uplift each other. It’s a different spirit when we work together with other designers because there’s so much to learn.”

Though for her brand she often makes couture gowns for the red carpet, Malhi said she wanted to change it up for this show with a line called “Little Black Secret,” evoking a mysterious autumn vibe. 

In addition to collaborating with shoe designers and Schuller who had some pieces from her line “Power Pieces x S Designs” in the collection, Malhi also teamed up with an artist from Kashmir, India, on a handmade black and white jacket that took several months to complete.

“The jacket is coming from the land where artists embroider by hand, sew every single flower, using silks and a lot of fusion with different fabrics,” Malhi said, noting that with her Indian background she’s a huge fan of great textiles and brocades. Malhi was born and raised in Punjab, India, and moved to the U.S. at age 20.

Deeply inspired by the work of her fellow designers in the show, Malhi said she has great appreciation for the creative diversity teeming in Brooklyn and on display in the collections.

“I thoroughly believe that every designer is unique in their designs, everyone brings a story that’s attached to their collection, and I enjoy that,” Malhi said. “I’m looking forward to working with more diversity in the future.”