COPA Inches Closer to Law as Support Builds in City Council

BY COLE SINANIAN  | cole@queensledger.com

CITY HALL — Sandy Nurse has done this before. 

Speaking before her colleagues on the City Council’s Committee on Housing and Buildings on Wednesday, September 9, the Bushwick councilmember once again delivered the opening testimony for the Community Opportunity to Purchase Act (COPA) — her landmark bill that would empower trusted nonprofits to acquire distressed apartment buildings before corporate real estate can, all in the name of preserving the New York City’s rapidly diminishing affordable housing stock. 

Nurse has touted the bill as an important step towards halting gentrification in the city’s most vulnerable neighborhoods. She’s cited her own district as an example, where real estate speculators engage in deceptive tactics to acquire homes, make cheap renovations, then resell to high-earning outsiders at huge profit margins in a practice known as “house flipping.” In her testimony Wednesday, she pointed to buildings like 331 E 14th in Manhattan and  2076 Creston Avenue in the Bronx, where squalid, unlivable conditions persist across ownership changes, forcing tenants out in desperation and allowing landlords to flip rent-regulated units to market-rate. 

“The fact is, the private market cannot create enough affordable housing to solve this crisis, especially if we’re losing the affordable housing stock we do have faster than we can build,” Nurse said at the hearing. “This bill is about interrupting a cycle of despair and neglect by design. Because many landlords across this city use deterioration as a strategy to get their tenants out.”

COPA, first passed the Council in December 2025 but  vetoed by outgoing Mayor Eric Adams on his last day in office, reentered the legislative pipeline in May, and takes aim at the sorts of real estate transactions that result in rent hikes and the conversion of low-income apartments to luxury housing. It would help qualified community partners — organizations like land trusts and community development corporations seeking to preserve affordability and the well-being of the neighborhood rather than turn a profit  — purchase buildings with four or more units that are deemed “high-risk,” with either hazardous conditions or imminently expiring affordability restrictions. At the hearing, Housing Preservation and Development (HPD) Commissioner Dina Levy estimated that currently about 2,100 buildings citywide would qualify for COPA. 

Under COPA, an HPD-approved list of nonprofit entities would have 20 days to signal interest in purchasing qualifying buildings before they hit the open market, after which interested nonprofits would get another 70 days to make an offer at the seller’s asking price. The law would only apply to buildings with four or more apartments that have an annual daily average of three or more class B or C HPD violations.

It was one of several housing-related bills discussed at Wednesday’s hearing, which saw legislators question Levy, as well as Department of Buildings (DOB) Commissioner Ahmed Tigani and Director of the Mayor’s Office to Protect Tenants Cea Weaver about Mayor Zohran Mamdani’s ambitious “Block by Block” housing plan, which aims to build 200,000 affordable homes and preserve 200,000 more over the next 10 years. 

COPA is a key feature of Mamdani’s plan, which characterizes the bill as crucial to preserving the city’s existing affordable housing. 

“It’s a really strong preservation tool,” said Will Spisak, a policy strategist with the New Economy  Project, a nonprofit that campaigned for COPA’s passage. “And it was one of only two pieces of legislation that are actually named in the housing plan, so I think that speaks volumes to the significance of this bill, in terms of building the kind of affordable city that he ran on and that we’ve been fighting for.” 

With support from the Mayor, the bill will almost certainly be signed into law if it passes the Council. 

“We support this legislation, and believe it is aligned with our larger housing preservation goal,” Levy said Wednesday. 

Some landlord-adjacent groups, however, have criticized the legislation as government overreach. Others have criticized it for being overly ambitious, and wondered whether housing nonprofits are financially capable of acquiring large buildings without City assistance. 

”COPA remains a significant intervention into private property transactions and additional revisions are needed to provide certainty for owners, lenders, and affordable housing investors,” said Zachary Steinberg, Executive Vice President of External Relations & Advocacy at the Real Estate Board of New York — an owners advocacy group — at Wednesday’s hearing. 

In his veto letter last December, Adams worried that the bill’s complexity would “present significant  operational and administrative challenges” for the City agencies tasked with administering it. HPD would be tasked with maintaining and regularly evaluating a list of qualified nonprofits— organizations that the agency would ensure are both financially and organizationally capable of managing large residential buildings. 

“We are going to need to set out some rulemaking if COPA does pass,” Levy said, explaining that the agency will likely base its list of qualified nonprofits on its existing preservation buyers list. As far as funding, while Levy acknowledged that HPD cannot finance every COPA deal, tools like Article 11 of the State’s Private Housing Finance Law — which provides tax exemptions for affordable housing development — could help nonprofits acquire buildings. She added that the agency has also floated working with Community Development Financial Institutions (CDFIs) and other lenders to help finance COPA transactions. 

But for many New Yorkers whose homes and neighborhoods have been threatened by creeping real estate speculation, the bureaucracy is a necessary compromise to prevent further displacement. 

To East New York resident Angus Fischer, the legislation represents an opportunity for racialized communities facing pressure from real estate speculators to take control of their communities before private capital pushes them out. In East New York, recent rezonings have brought speculation and fears of gentrification among the neighborhood’s majority Black and Latino population. COPA would give these communities the power to take control before that happens, Fischer said. 

Fischer explained how he spent much of his life in and out of the shelter system, a pattern that began in his childhood, when his family was abruptly evicted from his Brownsville apartment. 

“Currently in our communities, when you look at the ownership of the properties, it’s corporations,” he told the Queens Ledger on the steps of City Hall Wednesday. “It should be the community. It should be the local organizations that are on the ground supporting these individuals that are living in these properties and transitioning them into local ownership hands.”

Fischer is a member of the East New York Community Land Trust, an organization working in East Brooklyn to do exactly that. The group recently opened a communally run space called the East Brooklyn Liberation Center, and previously made history after becoming the city’s first land trust to acquire an apartment building in 2024.  Several of the more than 200 groups that have supported COPA are community land trusts — a kind of organization governed by a board of local residents and community stakeholders that seeks to seize land from the private market to be put under community ownership. More than twenty Community Land Trusts (CLTs) currently operating in New York City, many of which are supported by the New Economy project 

“This is an organic movement of  neighbors and community members realizing that they have to do something to preserve their neighborhoods,” Spisak told the Queens Ledger at the rally before Wednesday’s hearing. 

“I think over time we’ll see CLTs continue to grow, not just in number, but also in the depth of work. We’ll see them acquire more properties, preserve more units, and hopefully grow their portfolios.”

Judge Sides with BK Dem Reformers

Howard Graubard, an attorney with the reformers, speaks to journalists after a hearing in Downtown Brooklyn last week. (Photo: Roman Broszkowski)

The ruling strikes down controversial rule changes pushed by the Brooklyn Democratic Party’s current leader, but an appeal is pending.

BY ROMAN BROSZKOWSKI | news@queensledger.com

DOWNTOWN — A Brooklyn judge has ruled against Kings County Democratic Party Chair Rodneyse Bichotte Hermelyn and her allies in what observers have called a “civil war” within the local party, though the decision was quickly appealed.

During a late-August special meeting — under Bichotte Hermelyn’s initiative — the party added 48 new members to the executive committee and raised the voting threshold to revert the changes to 85%. The move would double the number of party officials eligible to vote for party leadership and all but guaran- tee that Bichotte Hermelyn would have enough votes to stay in office.

Following a lawsuit brought by Democrats advocating for reforms within the party and affiliated with the New Kings Democrats, Judge Jill Epstein granted a permanent in- junction against the move on Mon- day.

In bringing the lawsuit, opponents had argued that Bichotte Hermelyn had acted unlawfully as part of a ploy to avoid being voted out from her position as county party chair by a coalition of incoming district leaders.

After several delays, two factions of the Brooklyn Democratic Party finally argued their case in front of a judge on September 8.

At stake are both control over the county party and the various powers that come with it — nominating judges, endorsing candidates, directing campaign resources — as well as the party’s identity ahead of the November general election. For the reformers, Bichotte Hermelyn’s actions amount to anti-democratic behavior.

“This will be the permanent end of the ‘small d’ democratic governance in the Brooklyn Democratic Party,” said Paul Newell, one of the reformers’ attorneys, to journalists after the hearing.

As part of their case, lawyers working on behalf of the reform- ers argued that Bichotte Hermelyn relied on outgoing district leaders who were ineligible to vote, and pointed to a 2024 ruling involving the Manhattan Democratic Party where outgoing district leaders had met after a primary and elected two district leaders and party officers.

An appellate court found in that case that the outgoing members were no longer allowed to “exercise functions in substantial matters” and invalidated those actions.

In contrast, attorneys for the Bichotte Hermelyn and the Kings County Democratic County Com- mittee argued firstly that the case be thrown-out based on technical grounds, and secondly that the party had acted within the rights established by state law.

Amy Marion, one of the attor- neys for the party, pointed to a 2019 election law reform that states “the existing county committee shall ex- ercise all legal authority” before any organizational meeting where new members may be sworn in.

“They had the legal authority when they acted,” she said in court. Marion also argued that by asking Judge Jill Epstein to weigh in, reformers were demanding the judge overstep her role. She pointed once again to the 2019 election law reforms which were put in place after New York’s state and local primaries had been moved from September to June.

According to Marion, if lawmakers had wanted to hand control of political parties to newly elected district leaders, they could have mandated moving up the organizational meeting. By not doing so, the state legislature had left the legal authority in the hands of the incumbent party officials and any decision by a judge to invalidate that authority would be tantamount to the judicial branch legislating.

On Monday, Judge Epstein found that the 2024 ruling put forward by attorneys for the reformers held “persuasive authority”, though she also noted that the wider issue at play needs to be addressed by the state legislature.

At the September 8 hearing, attorneys for the reformers said that they expected either side to appeal if they lost, and Hermelyn’s camp swiftly did so on Tuesday. With the county party’s organizational meeting scheduled to take place some- time between September 17 and October 6, there is pressure to expedite a final ruling.

Following the hearing, supporters of Bichotte Hermelyn, led by Brownsville District Leader Anthony Jones, chanted “we are the community” as they walked towards the elevators. When someone from the reformist faction replied that they also were the community, they were reprimanded to “start acting like it.”

COBB: Man Ray, Poet of the Darkroom

Legendary photographer Emmanuel Radnitzky, also known as Man Ray.
(Photo via Geoffrey Cobb)

The story of the Williamsburg native who photographed Pablo Picasso, Gertrude Stein, Ernest Hemingway, and pioneered photography as an art form. 

BY GEOFFREY COBB  | gcobb91839@aol.com

Before he became Man Ray, one of the most innovative photographers of the twentieth century, Emmanuel Radnitzky was a poor Jewish boy growing up in Williamsburg,

Brooklyn. Perhaps more than any other photographer, Ray helped establish photography as an art form.

Born in Philadelphia in 1890 to Russian Jewish immigrants, Ray was the son of a tailor. He moved with his family to Williamsburg when he was seven years old where the Radinsky family changed their surname to Ray, in reaction to the virulent anti-Semitism they encountered there. Emmanuel, who was called “Manny” as a nickname, changed his first name to Man and gradually began to call himself Man Ray.

He completed the prestigious Boys High School where he learned drafting. Offered a scholarship to study architecture, Ray decided instead to become an artist, much to the dismay of his impoverished parents.

Too poor to afford art school, Ray began to develop his talents at the Ferrer School, a free institute run by anarchists, where Ray learned figure drawing from accomplished painters Robert Henri and Ashcan painter George Bellows. He also befriended fellow Williamsburger Max Weber, whose familiarity with Cubism and Futurism stimulated him to create abstract art. The young artist was also heavily influenced by legendary photographer Alfred Stieglitz, but even more so by the Armory Show, which introduced him to the works of Pablo Picasso, Wassily Kandinsky, and Marcel Duchamp whom he would later befriend.

Duchamp convinced him to move to Paris, where he arrived at age thirty-one in 1921. In 1922 he published Les Champs délicieux, a collection of camera-less photographs he called “rayographs.” Made by placing objects directly on photosensitive paper and exposing them to light, these mysterious images transformed ordinary objects into abstract forms and helped establish Man Ray as one of Paris’s leading experimental artists.

An introduction to the celebrated couturier Paul Poiret opened another avenue for Man Ray. Fashion photography provided both income and visibility, and he went on to work for magazines including Vogue, bringing the experimental techniques of the avant-garde into commercial photography. Many of the most famous people living in Paris posed for him and he showed an uncanny ability in photo sessions to take shots of them that captured his subjects’ unique inner qualities. James Joyce, Hemingway, T.S. Eliot,

Picasso, Dalí, Gertrude Stein, and other luminaries posed for his camera.

Ray became one of the first surrealist artists. Trying to create a Surrealist vision of the female form, he utilized solarization, cropping, and over-development to achieve surreal effects in his photos. He exhibited his work at the first Surrealist exhibition. in 1925, where he displayed an iconic art piece called Object To Be Destroyed, a famous Surrealist/Dada object made from an ordinary metronome with a photograph of an eye attached to the swinging arm.

Ray became intimate with surrealism’s founder André Breton and friends with other noted Surrealists including René Magritte, Luis Buñuel, the filmmaker, and Salvador Dalí, with whom he took an iconic portrait. He made several avant-garde films in the 1920s that cemented his reputation for being able to create art in different media, but it was his unmatched skill in the dark room that earned him enduring fame in Paris.

He was forced to flee his beloved Paris during World War II, but he returned there after the war, living there until the end of his life in 1976. In 2022, a buyer paid $12.4 million for an iconic Man Ray print sold at Christie’s, nearly tripling the record for the most expensive photograph ever sold at auction.

His enduring importance, however, lies less in auction records than in the freedom with which he treated photography. For Man Ray, the camera was not simply a machine for recording the visible world; it was a tool for transforming it. Jean Cocteau aptly called him “the poet of the darkroom.”

Geoffrey Cobb is the author of “Greenpoint Brooklyn’s Forgotten Past.”

SCHWARTZ: My List of Ideal Guests for “Subway Takes”

Kareem Rahma of Subway Takes. (Photo via Youtube)

BY LANA SCHWARTZ 

Author, “SET PIECE”

lana.schwartz925@gmail.com

The concept of the viral YouTube show Subway Takes is simple. Someone, anyone, sits down next to host, Kareem Rahma. They tell him a strongly held opinion on which many do not see eye-to-eye. Kareem Rahma then either lets them know he “100% agrees” or “100% disagrees.” There is no sentiment in between and no variation on the expression of these sentiments.

When Subway Takes first started, it predominantly featured comedians, likely people you’d never heard of or only knew in passing. Then, Subway Takes grew bigger. It got sponsors. It demanded bigger guests. When I saw Austin Butler on a press tour saying his take was that he “should be invited to more bachelor parties,” I knew that a shark had been jumped.

There seems to be a consensus that Subway Takes has gone too corporate. So why not reverse course now? It is not too late to talk to some people who are not famous. Regular New Yorkers, who happen to have some things to say:

Justin, an old sketch comedy teammate of mine

He moved to Rhode Island, so technically he is no longer a New Yorker, but you could never predict what that guy was going to say.

A subway conductor (or multiple subway conductors)

Subway conductors drive you all over the city. Would it kill you to ask them a question or two for once?

My dad

I don’t think my dad has any takes and would instead take the chance to tell the long-winded, Borscht Belt style jokes he’s fond of. However, my dad has a lot of friends he could send the clip to, and I’m willing to bet that men over 70 in Eastern Queens isn’t a demographic Subway Takes is currently hitting.

This guy who lives a few houses down from me

Every Halloween he hangs these zombie baby dolls from his front porch. I would love to know about some of the other opinions he has.

Robert Caro

While technically famous, Robert Caro seems incredibly down to earth. I’d love to know if he has an opinion about his local grocery store that simultaneously reveals a deeper truth about how power is structured in New York City. Not that I want to put too much pressure on him; I’d be happy to hear his top-line opinions all the same.

A girl named Amanda who I went to sleepaway camp with

I can’t figure out what she’s up to and this would be a fun way to find out.

Children who aren’t The Rizzler

I typically scroll away when Subway Takes makes an appearance on my feed, yet something was oddly mesmerizing about The Rizzler’s conviction that “peanut butter is overrated.” If we’ve learned anything from Sesame Street over the years, it’s that children, famous or not, are often very charming and say strange, unexpected things.

Mrs. Met

This could be her well-deserved chance to spin off her career from the Mets, who most certainly do not deserve her.

Lana Schwartz is a writer who was born and raised in Queens and today lives in Brooklyn. Her writing has appeared on The New Yorker, The Onion, McSweeney’s, and more. She is the author of the books “Build Your Own Romantic Comedy” and “Set Piece.”

Our Lady of Sorrows Returns for 78th Year

The parade sets off along Hicks Street on Saturday. (Via Facebook).

BY JACK DELANEY | jdelaney@queensledger.com

CARROLL GARDENS — If you were in South Brooklyn last weekend, you might have seen an apparition floating down the street.

On Saturday, the Church of Sacred Hearts & St. Stephen organized the 78th edition of the annual Our Lady of Sorrows procession, carrying a somber, life-size statue of the Virgin Mary through the neighborhood before returning to the church for fireworks.

The painted “Maria Addolorata” was commissioned in 1948 in Mola, a small town in the Italian region of Apulia — on the heel of the boot — which has had a disproportionately high rate of emigration to Carroll Gardens. A block of Court Street was formally co-named “Mola di Bari Way” in 2010, and today the Van Westerhout Cittadini Molesi, a social club for descendants of Mola, is one of only two such local institutions that remain.

In its latest installment, roughly 100 parishioners sat for an Italian-language mass, with a special appearance by Robert Brennan, the Bishop of Brooklyn. Then the parade was off, stopping by the 76th Precinct for a blessing from an NYPD chaplain and turning back near Marco Polo, at the intersection of Court and Union.

“Picture Carroll Gardens, Brooklyn, generations later, brass bands, candles, old Italian hymns, and tears in the eyes of people from Mola di Bari,” wrote J.M. de Palma, who pens “Saint Spotlights” for the church. “Since 1948, your families have carried me through these streets, not as a statue to admire, but as your Mother to accompany. I have watched grandparents arrive with hope, mothers pray through worry, fathers carry burdens, and children learn the songs. You did not leave Mola behind. You carried its faith across the sea, and I came with you. Newcomers watch and do not understand your devotion. How will you teach them?”

For as long as Carroll Gardens has been gentrifying — the process began accelerating in the 80s, and went into hyper-drive in the late 2010s — the primary angle for many citywide outlets, if they weren’t tracking the Gowanus Canal cleanup, has been the fate of Italian-Americans in the area.

This year brought a fresh wave of coverage: After New York Magazine entered the scrum to understand why Caputo’s Bakery closed so abruptly, it published a follow-up with a doleful headline: “Where Did All the Italians of Carroll Gardens Go?” (For what it’s worth, and as the article itself recognizes, similar themes were being plumbed over a decade ago — a 2011 piece in Brooklyn Ink called “An Italian-American Sunset Falls on Carroll Gardens” quoted one man as saying, “We’re not here anymore.”)

But Saturday’s procession didn’t get the memo. As it stands, Our Lady of Sorrows continues to roam the neighborhood, watching over it with a tearful but benevolent eye as she approaches her 80th birthday.

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