‘Believe the Hype’ Column: Farewell to New York Fashion Week but not to Brooklyn Fashion

By Christine Stoddard | cstoddard@queensledger.com

Another New York Fashion Week (NYFW) has come and gone, not to stir up a storm again until September. As it stands, the “week” sprawls into nearly a fortnight come February. This year the Starrett-Lehigh Building in Chelsea rivaled Spring Studios, which had been NYFW’s hub for more than five years. Yet those are not the only sites where fashion shows take place; they are merely the ones where major designers trample the runway. But not every designer is a household name. There are designers who make a name (and a living) for themselves without being known by Midwestern housewives. 

A Brooklynite’s Foray into NYFW

Now, not being a household name does not mean obscurity or failure. Some designers prefer to be uncommon, aiming for a narrowly-defined customer versus aiming to be loved by all. On Feb. 10, The New York Times ran a story on B Michael, a designer who has dressed everyone from Beyoncé to Halle Berry. Yet you might get deer-in-the-highlights looks if you mentioned B Michael in Des Moines. While he has a new book out—a memoir called MUSE: Cecily Tyson and Me: A relationship forged in fashion—he had zero presence at this year’s NYFW. Maybe some designers, even successful ones, don’t want the hassle of producing a world-class event and all of the digital media content that is expected these days. These things require different skill sets than producing the garments themselves, and B Michael basically runs a three-man shop. However, not every designer can afford to be so selective when it comes to opting out of NYFW. Up-and-coming designers may feel they have to participate in order to get their name out there. 

Designer: Candence Caprice. Photo by Nani Creative.

This latter category intrigues me because they are fledgling artists fueled by passion. When Lina Neubauer aka “Rainstorm”, a current Fashion Institute of Technology student, invited me to model in her Rising Collective NYFW show, I jumped at the opportunity. This was a confident young businesswoman with a vision and several events under her (very stylish) belt. The fact that she was uplifting newer designers thrilled me. Most of them were FIT and Parsons students or recent alumni. On Feb. 17 at Dom Lounge in Gramercy, we—the show producer, designers, models, hair/makeup stylists, dressers, and other crew members—collectively made many dreams come true in one night. I especially loved the energy of Hayden Lehr, who had me model her mini skirt made of recycled soda tabs and a crop top bearing her line’s logo. Just 21 years old, this was her first-ever fashion show. I heard more than one person congratulate her for having such a cohesive look: punky but still modern and bright, with clean lines. You can find her on Instagram @haydenlehr. 

Rainstorm, who also goes by Rain, was generous enough to have the “Don’t Mind If I Don’t” comedy show attend the event. In the Jan. 25, 2024 edition of the Brooklyn Downtown Star/Greenpoint Star newspapers, you may have seen the article “Brooklyn Goofballs Release ‘Don’t Mind If I Don’t’ Episode on Bagpipes.” The whole concept of our comedy TV show is that fans and experts try to persuade my boyfriend,  Aaron Gold, to like things he hates. The TV show stemmed from Aaron’s long-running podcast. Now I am in the mix as his co-host/art director and we have a team lending their directing, cinematography, editing, and producing skills. So far, we have filmed episodes on bagpipes, psychics, Shakespeare, painting, and now fashion. The hope is to convince Aaron that fashion has aspects worth appreciating. 

Fashion Week Brooklyn

Last weekend’s fashion experience made me wonder: Why is there no Brooklyn Fashion Week? Google proved me wrong. There is a Brooklyn Fashion Week, but the name is actually Fashion Week Brooklyn. It just doesn’t have the cachet or visibility of NYFW because, as cool and creative as our borough is, Manhattan is still our city’s center of commerce. FWBK was founded by the non-profit BK|Style Foundation, which aligns itself with several social causes, from human rights to HIV/AIDS awareness, and also produces international fashion events that highlight Brooklyn designers. This year, we can expect FWBK on April 7 and 13 at Kings Plaza Mall in Mill Basin.

The storefront of MOSHOOD at
Restoration Plaza in Bed-Stuy. Photo by Christine Stoddard.

In doing some digging about FWBK, I found out that MOSHOOD/Afrikan Spirit, a Bed-Stuy mainstay of three decades, is in on the action. This is yet another gem located at Restoration Plaza. When I recently popped my head in there on a Saturday, the spot was, well, it was the spot. MOSHOOD’s designs have appeared on BET’s Teen Summit, Queen Latifah’s sitcom “Living Single,” and Brandy’s sitcom “Moesha.” The line, which blends African tribal designs with Western flair, has the slogan “WEAR MOSHOOD, WEAR YOURSELF,” as well as the saying, “We focus on the ensemble, not just the pieces.” Through FWBK, Moshood showcased designs at V.O Curations in London on Feb. 17. 

Designer: Hayden Lehr.
Photo by Nani Creative.

Another Brooklyn designer in that same show (there were ones from the UK and New Jersey, too), was “Free.” This tongue-in-cheek designer is totally new to me. Founder Richard Kauli, a graduate of Brooklyn Tech, declares a “distaste for the attention economy and mass surveillance of a free state” on the line’s website, the cheekily named FreeInQuotes.com. Three principles seem to guide the brand, which I am pulling directly from the Info page:

1. Lack of new/original thoughts and ideas as we consume mass media (group think)

2. Privacy is no longer possible (mass surveillance from governments and advertising companies)

3. Social media leads to constant comparison to others (lower life satisfaction and increase depression and suicide)

One example of a T-shirt you can buy from “Free” bears the words: “Great Minds Think Like Us.” Maybe calling “Free” anti-fashion would be more apt.

Snow at Floyd Bennett Field

But enough about fashion for now. While I believe the arts are essential to a beautiful, joyful, and meaningful life, I am also aware of Maslow’s Hierarchy of Needs. Physiological needs come first. After another snowstorm, I had to know: Did the tent shelter for migrant families at Floyd Bennett 

Field have heat? Did the shelter run into any issues during the storm? A couple of days would pass before I could head over there. That meant a week had gone by since my last visit, when I staked out the public transportation situation. By then, most of the snow had melted. It was easy to drive my car around and not worry about ice or running into a snowbank.

Floyd Bennett Field, with the remnants of the snowstorm.

I noticed that steel barricades had been installed since the previous week. They formed a corridor that went from the tent shelter to the bus stop. Families walking from the shelter to the bus stop, which involved going down one road, crossing another road, and then cutting across a large empty lot, largely stayed within the barricades. I noticed one little boy stumbling along the barricade, just outside of it to play in the bits of snow that remained. A man I presumed to be his father walked inside of the barricade, almost parallel to the boy.

I parked my car at the intersection before the large lot. In the couple of days leading up to that point, I had called and emailed organizations on the NYC 311 webpage entitled “Asylum Seeker Resources.” I have many questions and many stories I am researching to write about immigration in New York City. Only one source picked up the phone: the principal of Brooklyn Collegiate High School, who said that the list is horribly outdated. The school no longer provides resources for asylum seekers. This is why on-the-ground reporting still matters. We cannot count on the Internet for everything.

I got out of my car and stopped the first family to get some quick answers. In Spanish, I introduced myself and asked if there was heat in the tent shelter. The answer was yes. And were there any problems at the tent shelter during the snowstorm? Or since? No. 

What a relief! I look forward to finding out more about our city’s asylum seekers and promise to bring updates in the Brooklyn Downtown Star/Greenpoint Star.

Celebrate Black History Month at the Brooklyn Children Museum’s Black Future Festival

By Kendra J. Bostock | news@queensledger.com

Photo credit Winston Williams / Brooklyn Children’s Museum.

Brooklyn Children’s Museum (BCM) will honor Black History Month with a week-long celebration, Black Future Festival: We Da People. Taking place during the DOE Midwinter Recess from February 18 to February 25, the festival is presented in partnership with guest curator Kendra J. Bostock and STooPS.

Black Future Festival is a week of reflection and future-forward fun, inspired by the national celebration of the African Diaspora and Black History Month. Families are invited to visit the Museum for a one-of-a-kind experience to envision a future that learns from the values and lessons of Black past, present, and future. Each day of the festival features a wide-ranging array of exciting programming, including live performances, dance programs, storytelling workshops, cultural experiences, art exploration, and more.

Brooklyn Children’s Museum is proud to present Black Future Festival: We Da People in collaboration with our talented partners, Kendra J. Bostock and STooPS. As we celebrate Black History Month, it’s important for our youth to learn about the resilience, triumphs, and contributions of Black individuals throughout history and in their communities today. We hope to inspire young people in envisioning their own futures, as well as work towards a future where these contributions are recognized and celebrated every day,” said Dylan House, Director of Public Programs at Brooklyn Children’s Museum.

Black Future Festival: We Da People will pay homage to the role of art-making in the Black-led social movements that have shaped Brooklyn as we know it today. The program’s vibrant and varied workshops will feature dance, storytelling, music, poetry, and visual arts based in Afrocentric values and principles. Select dates feature live dance performances produced by KJB Works and performed by dancer, choreographer, and community organizer Kendra J. Bostock. This multidisciplinary all-ages dance piece will take families on a multisensory journey using everyday items from our lives as portals to Black past, present and Afro-future.

“I am so excited about the partnership between Brooklyn Children’s Museum, myself, and STooPS. Having such an important institution embrace a much younger organization is a great example of a Black Future — giving space and highlighting Black art, voices, and community,” said Kendra J. Bostock, Founder/Director of STooPS and choreographer of KJB Works’ Portals: Doors to the Black Past and Future performances.

“When I think about the Black Future, I imagine a time where the values, contributions, and lifestyles of Black folks are honored and amplified,” Bostock continued. “As I reflect on Black-led social movements that have paved the way for our present and future to exist, it has not been about overtaking but making space. Carving out liberatory spaces where Africanist principles such as community, self-determination, and collective reliance can be at the forefront. These are concepts that we can all embrace, regardless of race, that will lead us to less oppression. This festival is about sharing the beauty and power of Blackness and cultivating a new generation who can move us towards an Afro-future. A future where Blackness is embraced as the change-making force it has always been.”

Additionally, New York International Children’s Film Festival (NYICFF) will be at BCM to showcase an exclusive collection of family-friendly, award-winning short films. These films feature historically underrepresented communities and stories that foster curiosity and empathy.

Daily programs will be replicated twice each day of the festival, in the morning and again in the afternoon (10 am–1 pm and 2 pm–5 pm). Visit www.brooklynkids.org/black-future-festival to view the program schedule for each day.

PROGRAMS

Portals: Doors to the Black Past and Future

This multidisciplinary dance performance looks at everyday items in our lives that serve as portals to the Black past, present, and Afro-future. KJB Works transports us across time and space using her Sankofa process, inspired by the Ghanaian Akan term for “looking back to move forward.” Performed by Kendra J. Bostock, Brittany Grier, J’Nae Simmons, and Kimani Fowlin.

2/24, 2/25 at 11 am–11:45 am and 2:30 pm–3:15 pm

 

Build Your World with Fabric

Did you know there’s a bit of an artist in all of us? Let’s make cultural masks using materials like cowrie shells, yarn, pipe cleaners, tape, raffia, and construction paper. Creative minds are working hands! Led by Ramona Kearns.

2/22 at 11 am– 1:45 pm

2/23 at 12:15 pm–1 pm

 

Remembering and Transforming: Storytelling

Journey with us as we tell stories of the past, present, and future. We will listen to stories of Bed-Stuy and remember ancestors who created a path with their legacy. Together we will bring our stories to life and create movement for the journey ahead. Move to the music and create a collective poem. Led by Wema Ragophala.

2/22 at 12:15 pm – 1 pm

2/25 at 4 pm–4:45 pm

 

Afrofuturistic Comic Covers

Join us in ColorLab to design your own Afrofuturistic comic book cover, inspired by the work of author and illustrator, John Jennings.

Thru 2/25 at 10:30 am–12:30 pm and 2:30 pm–4:30 pm

 

Moving Stories: Dance

A movement experience that includes various dance forms from the African Diaspora (traditional African forms, modern, jazz, Afrobeat). Led by Carmen Carriker.

2/23 at 12:15 pm – 1 pm

 

NYICFF in Your Neighborhood

New York International Children’s Film Festival (NYICFF) presents an exclusive collection of family-friendly, award-winning short films. Whether dreaming up the fantastical, like a spider’s goal to capture the moon, or the practical, like a young animator’s future stardom, these shorts are sure to enchant and delight all audiences (but especially our youngest!).

2/20 – 2/23 at 10:30 am – 11:20 am and 3 pm – 3:50 pm

 

Adinkra Portals: Visual Art

Adinkra symbols were created by the Akan people of Ghana. The symbols represent qualities of character and life principles. This workshop is inspired by Lorraine O’Grady’s 1983 “Art Is…” performance, in which parade marchers framed bystanders in gold frames, transforming them into a piece of art to behold. Participants can make a frame from repurposed materials, decorate it with adinkra symbols, and then take a picture with it, framing themselves as a work of art adorned by a collection of powerful symbols. Led by Pia Monique Murray.

2/22 at 4 pm–4:45 pm

 

Connecting to Ancestral Intelligence: Plant Allies For Children

This workshop is an opportunity for children to explore plants as allies through sensed understanding. Participants will have the opportunity to learn about plants that surround them every day and create a winter plant snow globe of their favorite plant ally. Led by Renee K. Smith.

2/23 at 11 am–11:45 am

 

Keep On Moving: Dance

Join KOM3 from the Breaks Kru in his invigorating “Keep On Moving” dance workshop. Geared towards kids, this dynamic experience redefines dance education by infusing Breaking with engaging games and exercise routines. Discover a workshop that not only teaches the art of Breaking but also cultivates a love for movement and a healthy, active lifestyle in a safe and inclusive environment. Led by KOM3.

2/22 at 2:30 pm–3:15 pm

2/23 at 4 pm–4:45 pm

 

Lyrical Liberation: Music/Poetry

Ella Baker said: “We who believe in freedom cannot rest!” Take a music and poetry journey as we sing and create music together. Led by PitsiRa Ragophala.

2/24 and 2/25 at 4 pm–4:45 pm

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